Chapter

Conclusion: <i>Blind Chance</i> and Possible Futures

David Martin-Jones

in Deleuze, Cinema and National Identity

Published by Edinburgh University Press

Published in print March 2006 | ISBN: 9780748622443
Published online March 2012 | e-ISBN: 9780748651085 | DOI: http://dx.doi.org/10.3366/edinburgh/9780748622443.003.0008
Conclusion: Blind Chance and Possible Futures

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The films discussed in this book are contemporary manifestations of a tradition that can be traced back to directors such as Alfred Hitchcock, Federico Fellini and Jean-Luc Godard – those same directors that Gilles Deleuze drew on in constructing his taxonomy of images. The appearance of a labyrinthine model of time in many of these films is particularly indebted to Alain Resnais' oeuvre, which includes such films as Providence (1977) and Smoking/No Smoking (1993). Moreover, Run Lola Run and Peppermint Candy both self-consciously acknowledge their debt to Krzystof Kieslowski's Blind Chance (1981). This book has shown, through a specific focus on particular nations, the historical shifts and resulting transformations of national identity that these films negotiate. It is no longer enough to simply posit the time-image as the European other of the American movement-image. Rather, a global picture must be considered in which these films engage with issues of national identity for both local and international markets. As a final example that illustrates the need for this localised analysis, this chapter discusses Blind Chance.

Keywords: Blind Chance; national identity; Gilles Deleuze; time-image; movement-image; Alain Resnais; Krzystof Kieslowski; films

Chapter.  2435 words. 

Subjects: Film

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