Chapter

The Formative Period: The War Years and the Ethos of Ealing

Alan Burton and Tim O'sullivan

in The Cinema of Basil Dearden and Michael Relph

Published by Edinburgh University Press

Published in print December 2009 | ISBN: 9780748632893
Published online September 2012 | e-ISBN: 9780748671144 | DOI: http://dx.doi.org/10.3366/edinburgh/9780748632893.003.0003
The Formative Period: The War Years and the Ethos of Ealing

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This chapter surveys the inauguration and early development of Dearden and Relph's partnership at Ealing and examines their first five films together; from The Bells Go Down (1943) to The Captive Heart (1946). It emphasises that they rapidly embraced and cemented their partnership within the Ealing wartime ethos of ‘quiet heroism’ and team work under Michael Balcon's studio management and direction. Furthermore, the analysis suggests that they made their distinctive mark in Ealing's projection of Britain during this time of national, wartime crisis and proved themselves considerable, but understated talents at the studio in the period.

Keywords: Basil Dearden; Michael Relph; Ealing; British War-time Films

Chapter.  17939 words.  Illustrated.

Subjects: Film

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