Chapter

Introduction: ‘You don't know who anyone is’

Yannis Tzioumakis

in The Spanish Prisoner

Published by Edinburgh University Press

Published in print April 2009 | ISBN: 9780748633685
Published online September 2012 | e-ISBN: 9780748671236 | DOI: http://dx.doi.org/10.3366/edinburgh/9780748633685.003.0001
Introduction: ‘You don't know who anyone is’

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The Introduction explains why The Spanish Prisoner is an important example of independent cinema and pays particular attention to the film’s generic specificity that has been misunderstood by critics. It also offers a brief overview of the four chapters that constitute it, with the first chapter examining key debates about the transition from an independent cinema to an indie cinema in the US, especially during the 1990s and the early 2000s; the second chapter looking at David Mamet’s place in the independent and indie cinema landscapes; the third one examining the film’s production and distribution history; and with the fourth and fifth scrutinising the film’s use of visual style and narrative, and of generic elements, respectively.

Keywords: American independent cinema; Genre; Generic specificity

Chapter.  4130 words. 

Subjects: Film

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