Chapter

Conclusion

David Martin-Jones

in Scotland: Global Cinema

Published by Edinburgh University Press

Published in print September 2005 | ISBN: 9780748633913
Published online March 2012 | e-ISBN: 9780748651207 | DOI: http://dx.doi.org/10.3366/edinburgh/9780748633913.003.0012
Conclusion

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It would appear that indigenous film production is likely to continue to expand in Scotland. Even if Scotland remains a small national cinema in global terms, it is to be hoped that it will carry on making a big impact globally. Whether it does or not, however, it seems probable that international film coproductions and location shooting will, because of the mutual benefit that Scotland's landscape brings to filmmakers from outside Scotland, the Scottish film industry and related industries like tourism. The increasingly blurry boundaries surrounding the category of ‘Scottish’ cinema require a reconsideration of Scottish filmmaking and filmmaking in Scotland inclusively, both in terms of its artistic and popular merits and in relation to an increasingly global context of production and distribution. Moreover, a brief survey of a few of the films not discussed in this book illustrates the variety of fantasy Scotlands that continue to exist and that have been created by filmmakers within, and from outside, Scotland, and the exploration of identities they facilitate.

Keywords: Scotland; cinema; location shooting; film industry; tourism; filmmaking; fantasy Scotlands; identities; international film coproductions

Chapter.  1406 words. 

Subjects: Film

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