Chapter

The Return of the Tragic in Fiction

K. M. Newton

in Modern Literature and the Tragic

Published by Edinburgh University Press

Published in print June 2008 | ISBN: 9780748636730
Published online March 2012 | e-ISBN: 9780748652082 | DOI: http://dx.doi.org/10.3366/edinburgh/9780748636730.003.0005
The Return of the Tragic in Fiction

More Like This

Show all results sharing this subject:

  • Literary Theory and Cultural Studies

GO

Show Summary Details

Preview

This chapter describes the works of tragic writers, such as Thomas Hardy, Leo Tolstoy and Joseph Conrad. Features of Hardy's tragic perspective that reflects the impact of Darwinism are elaborated. George Eliot was interested in the tragic and tragedy as a form both critically and philosophically and discussed them in several essays. Eliot is less willing than Hardy to give the tragic the last word. The tragic in Tess of the d'Urbervilles and Jude the Obscure is also addressed. Tolstoy's Anna Karenina has often been called a tragic novel, though ‘tragic’ tends to be used in a rather general sense. Conrad's Heart of Darkness is a ferocious exposure of colonialism and imperialism, at least as practised by non-British colonialists. Conrad can be compared to Tolstoy since both resist the tragic.

Keywords: tragic; Thomas Hardy; Leo Tolstoy; Joseph Conrad; George Eliot; Tess of the d'Urbervilles; Jude the Obscure; Anna Karenina; Heart of Darkness

Chapter.  15790 words. 

Subjects: Literary Theory and Cultural Studies

Full text: subscription required

How to subscribe Recommend to my Librarian

Users without a subscription are not able to see the full content. Please, subscribe or login to access all content.