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Lee Spinks

in James Joyce A Critical Guide

Published by Edinburgh University Press

Published in print January 2009 | ISBN: 9780748638352
Published online September 2012 | e-ISBN: 9780748671632 | DOI: http://dx.doi.org/10.3366/edinburgh/9780748638352.003.0003
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This chapter describes the body of James Joyce's work. Joyce' wrote Chamber Music as a protest against himself. One of the fundamental aesthetic principles ofDubliners is that the limits of a character's world-view are defined by the limits of their language. The real distinction between Stephen Hero and A Portrait of the Artist as a Young Man lies at the level of narrative style. Exiles presents his only excursion into drama and remained relatively neglected until its 1970 London revival. With Ulysses, Joyce realised his aesthetic ambition of composing a great epic statement about modern European civilisation. Finnegans Wake makes considerable use of the symbols of marriage, burial, religion and the family, it is a mistake simply to map Joyce's narrative onto Vico's tripartite structure. A significant strand of Wakecriticism concerns itself with the creative and compositional process that brought the text into being.

Keywords: James Joyce; Chamber Music; Dubliners; Stephen Hero; A Portrait of the Artist as a Young Man; Exiles; Ulysses; Finnegans Wake

Chapter.  49198 words. 

Subjects: Literary Studies (20th Century onwards)

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