Chapter

<i>Due Rose</i>, Due Volte

Susan McClary

in Musical Meaning and Human Values

Published by Fordham University Press

Published in print August 2009 | ISBN: 9780823230099
Published online March 2011 | e-ISBN: 9780823235445 | DOI: http://dx.doi.org/10.5422/fso/9780823230099.003.0002
Due Rose, Due Volte

More Like This

Show all results sharing this subject:

  • Aesthetics and Philosophy of Art

GO

Show Summary Details

Preview

This chapter starts with a discussion of modernism. Modernism comes in many forms. It has had a long history since the late sixteenth and early seventeenth centuries, which are referred to as the “early modern” period. In musicology, it is difficult to distinguish the “modernity” of early repertories due to terms such as “Renaissance” and “Baroque.” Francesco Petrarch's Sonnet No. 245, “Due rose fresche” has been examined here. It is a sixteenth-century sonnet that many composers in this period tried to give music to like Andrea Gabrieli and Luca Marenzio. These two composers have different interpretations of the sonnet. Versions of “Due rose fresche” are discussed and analyzed in this chapter, as are its criticisms.

Keywords: modern; Due rose fresche; Andrea Gabrielli; Luca Marenzio; modernity; Francesco Petrarch; sonnet

Chapter.  6134 words.  Illustrated.

Subjects: Aesthetics and Philosophy of Art

Full text: subscription required

How to subscribe Recommend to my Librarian

Buy this work at Fordham University Press »

Users without a subscription are not able to see the full content. Please, subscribe or login to access all content.