Chapter

I Switch Off

Steven Connor

in Broadcasting Modernism

Published by University Press of Florida

Published in print June 2009 | ISBN: 9780813033495
Published online September 2011 | e-ISBN: 9780813038315 | DOI: http://dx.doi.org/10.5744/florida/9780813033495.003.0016
I Switch Off

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This chapter discusses radio aesthetics, listening, radio work, alternating currents, switchboards, and tuning. The question that a radio aesthetics can never set aside is that of location. There are two standard answers to this question, both in their way amounting to the answer “no place” and thus utopian: the power of delocalization and mind-space. Radio always requires an apparatus, an array or arrangement of elements that is prepared in advance. There is a particular salience to the on/off switch of the radio that makes for a new understanding, a new experience of “offness”. When words and sounds die away on the radio, there is broadcast silence — what has come to be called “dead air”. The radio incorporates a more specific and sensitive form of executive control than either the on/off or volume switches. Listening to the radio also requires tuning.

Keywords: radio aesthetics; listening; radio work; alternating currents; switchboards; tuning

Chapter.  8501 words. 

Subjects: Literary Theory and Cultural Studies

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