Chapter

Negotiating Censorship in the 1950s

W. Jason Miller

in Langston Hughes and American Lynching Culture

Published by University Press of Florida

Published in print January 2011 | ISBN: 9780813035338
Published online September 2011 | e-ISBN: 9780813038704 | DOI: http://dx.doi.org/10.5744/florida/9780813035338.003.0004
Negotiating Censorship in the 1950s

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The chapter introduces the 1950s as a time when Hughes had to deal with intense censorship concerns and lynching was witnessing a change of form. It takes a close look at two of his poems “Not for Publication” and “Dream Deferred.” It introduces the use of lynching by Hughes as an analogy. It presents the means by which Hughes translated elements from the visual world of photography into the verbal realm of poetry. The chapter portrays Hughes's growing appreciation for photography in the 1950s. Hughes's relationship with photographers Roy DeCarava, Henri Cartier-Bresson, Griffith J. Davis, and Marion Palfi inform this chapter's reading of “Dream Deferred.” The chapter also shows how and why Hughes placed “Not for Publication” (1953) in the black press as well as in two international publications.

Keywords: censorship; analogy; poem; photography; Langston Hughes; lynching; Not for Publication; Dream Deferred; black press

Chapter.  14677 words.  Illustrated.

Subjects: Literature

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