Chapter

The Coda: What’s the Story? — Morning Glory!

Michael Ingham

in Johnnie To Kei-Fung's PTU

Published by Hong Kong University Press

Published in print March 2009 | ISBN: 9789622099197
Published online September 2011 | e-ISBN: 9789882207103 | DOI: http://dx.doi.org/10.5790/hongkong/9789622099197.003.0004
The Coda: What’s the Story? — Morning Glory!

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This chapter explores the film's allegorical signifying systems and aesthetic qualities and offers a critical assessment of its continuing topicality. To a considerable extent, Stephen Teo's detailed new critical study of To's career has helped to address the paucity of critical assessment of his work to date. Teo's point about To's idiosyncrasy offers a clue to what makes PTU a film that continues to speak to people. The spirit of restless scepticism, of socio-political agnosticism but of commitment to some sort of social code—flawed as it may be—which infuses the film is recognizably Hong Kong. The chapter also notes why PTU will remain in the forefront of Hong Kong cinema, among its best films of the past 30 years.

Keywords: PTU; allegory; topicality; Stephen Teo; To Kei-fung; Hong Kong

Chapter.  6541 words.  Illustrated.

Subjects: Film

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