Chapter

Wu Hsing-kuo —

Eugenio Barba

in The Soul of Beijing Opera

Published by Hong Kong University Press

Published in print May 2010 | ISBN: 9789622099944
Published online September 2011 | e-ISBN: 9789882207394 | DOI: http://dx.doi.org/10.5790/hongkong/9789622099944.003.0009
Wu Hsing-kuo —

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This chapter discusses the first experiment combining jingju and a Western work. It notes that in 1986, seven years after Kuo Hsiao-chuang and her Elegant Voice first assailed jingju circles, Wu Hsing-kuo and his newly established Contemporary Legend Theatre (CLT) gave Taiwanese audiences another shock. It further notes that The Kingdom of Desire, an adaptation of Macbeth that was to meet with international acclaim for decades, began the CLT's maiden voyage into contemporary experimental theatre on the island. It observes that it was the first time that Shakespeare, the representative of the Western canon, and the “national drama” (guoju), symbol of the Chinese traditional culture, had met on Taiwan's stage. It notes that the struggle between the two cultural fields resulted in an unusual hybrid style that startled the auditorium.

Keywords: jingju; Kuo Hsiao-chuang; Elegant Voice; Wu Hsing-kuo; Contemporary Legend Theatre; Taiwanese audiences; The Kingdom of Desire; Macbeth; Shakespeare; guoju

Chapter.  15825 words. 

Subjects: Society and Culture

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