Chapter

Documenting Hong Kong:

Esther M. K. Cheung, Nicole Kempton and Amy Lee

in Hong Kong Screenscapes

Published by Hong Kong University Press

Published in print November 2010 | ISBN: 9789888028566
Published online September 2011 | e-ISBN: 9789882206991 | DOI: http://dx.doi.org/10.5790/hongkong/9789888028566.003.0010
Documenting Hong Kong:

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In recounting the last fifteen years of the independent film movement in Hong Kong, it is impossible not to mention Tammy Cheung's name. Even though she does not make narrative films, she has nevertheless made inroads with documentary films. She focuses on social and human problems as her subject matter and uses direct cinema as her approach. Without the use of voice-over narration, she explores the limits of objectivity and what she calls the “freedom of movement” in the direct cinema style. Her works such as Secondary School and July have elicited a significant response from the community. Even though finding capital and support is incredibly difficult, she claims she will continue filming into the future. Likewise, Hong Kong most certainly needs a documentary culture that records both major historical events as well as reflections from the streets.

Keywords: independent film movement; Hong Kong; Tammy Cheung; documentary films; human problems; direct cinema; freedom of movement; Secondary School; July

Chapter.  6448 words. 

Subjects: Film

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