Chapter

Hong Kong Cinema and the Film Essay:

Mike Ingham

in Hong Kong Screenscapes

Published by Hong Kong University Press

Published in print November 2010 | ISBN: 9789888028566
Published online September 2011 | e-ISBN: 9789882206991 | DOI: http://dx.doi.org/10.5790/hongkong/9789888028566.003.0012
Hong Kong Cinema and the Film Essay:

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The cinematic essay, even in the guise of documentary, is now a flourishing and popular form, and one that is no longer viewed as purely experimental or avant-garde. Indeed, the waves of international public concern about climate change triggered by Al Gore's essayistic argument in An Inconvenient Truth were palpable. This low-budget “thesis” film caught the popular mood and contributed significantly to public debate in many countries. Sicko and Capitalism—A Love Story exemplify the kind of impact the cinematic essay form is capable of producing. All of these examples either produce or develop existing sites of social contestation and pursue a keenly argued thesis through the unique resources of film. This chapter assesses the extent to which Hong Kong's New Wave cinema from the 1980s onwards can be said to have essayed this hybrid and very contemporary cinematic form, and whether such explorations in form are indeed recognized in Hong Kong cinema discourse.

Keywords: cinematic essay; documentary; avant-garde; An Inconvenient Truth; thesis film; Sicko; Capitalism; Hong Kong; New Wave cinema

Chapter.  7982 words.  Illustrated.

Subjects: Film

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