Chapter

Eileen Chang and Ang Lee at the Movies: The Cinematic Politics of Lust, Caution

Edited by Kam Louie

in Eileen Chang

Published by Hong Kong University Press

Published in print March 2012 | ISBN: 9789888083794
Published online September 2012 | e-ISBN: 9789882209060 | DOI: http://dx.doi.org/10.5790/hongkong/9789888083794.003.0008
Eileen Chang and Ang Lee at the Movies: The Cinematic Politics of Lust, Caution

Show Summary Details

Preview

Eileen Chang's “Lust, Caution” and Ang Lee's 2007 adaptation of the story deal with appearance, performance, betrayal and the cinema. This chapter looks at the various political positions rendered in cinematic terms in both Chang's novella and Lee's film. From the women revolutionists associated with early Shanghai film to Hollywood's Anna May Wong as well as Bernardo Bertolucci's take on Chinese and fascist fashion in films such as The Conformist (1970) and The Last Emperor (1987), Lee's Lust, Caution revolves around images of tailored dark suits, cloche hats, and diamond rings. Within this heady mixture of politics, fashion, and postmodern consumerism, Lust, Caution creates a pastiche of past film styles evoked through fashion choices to parallel transformations in ideological fashion that may or may not be on a par with seasonal wardrobe changes. This chapter shows how the film's politics hinge on how it takes up very specific, cinematically inspired questions of style.

Keywords: Fascism; Sadomasochism; The Conformist; Last Emperor; Street Angel; In The Mood For Love; qi pao; consumerism; postmodern aesthetics

Chapter.  9097 words.  Illustrated.

Subjects: Literature

Full text: subscription required

How to subscribe Recommend to my Librarian

Buy this work at Hong Kong University Press »

Users without a subscription are not able to see the full content. Please, subscribe or login to access all content.