Chapter

Introduction

in Lonesome Roads and Streets of Dreams

Published by University of Chicago Press

Published in print April 2012 | ISBN: 9780226044941
Published online March 2013 | e-ISBN: 9780226044965 | DOI: http://dx.doi.org/10.7208/chicago/9780226044965.003.0001
Introduction

Show Summary Details

Preview

This book argues that 1930s and '40s dance band music provided listeners new ways to make sense of the changing spaces and places of American life. The popular music of the era significantly acted in a larger cultural conversation regarding the radical demographic and geographic changes due to economic depression and global war. Americans were caught between “The Lonesome Road” and the “Street of Dreams.” Dance band jazz united Americans around a cohesive national musical style even as it transported sounds and experiences of distant places. This book also utilizes the music of Jan Garber, Duke Ellington, Charlie Christian, and Charlie Barnet. Music's intimate connection with the human body and its movements was possibly the most basic spatial component of musical experience. This Introduction provides an overview of the chapters that follow.

Keywords: dance band music; Lonesome Road; Street of Dreams; dance band jazz; Jan Garber; Duke Ellington; Charlie Christian; Charlie Barnet

Chapter.  12626 words. 

Subjects: American Music

Full text: subscription required

How to subscribe Recommend to my Librarian

Users without a subscription are not able to see the full content. Please, subscribe or login to access all content.