Chapter

Introduction: “One Kind of Everything”

Dan Chiasson

in One Kind of Everything

Published by University of Chicago Press

Published in print March 2007 | ISBN: 9780226103815
Published online February 2013 | e-ISBN: 9780226103846 | DOI: http://dx.doi.org/10.7208/chicago/9780226103846.003.0001
Introduction: “One Kind of Everything”

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This is a book about the relationship between fact and figure in American poetry. Poetic figuration (and the imaginative activity it emblematizes) seems to be either factual or explicitly afactual, the mark of renunciation and transcendence in the face of mere fact. The particular class of “autobiographical” facts discussed in this book seem especially mundane, which is to say, especially subject to triumphant transcendence (and erasure) by the imagination. This bias against autobiography seems particularly American or, to be more precise, particularly Americanist. The primary sponsors of this bias would seem to be Ralph Waldo Emerson and Walt Whitman. The breadth of the Whitmanian conception of self, its essentially compound or “cellular” nature, poses a challenge for later writers who would speak more narrowly of their own experiences. In Emerson we see the earliest suggestion that the failure of the imagination and autobiography are causally connected. The poets it features, such as Louise Glück, Frank Bidart, Robert Lowell, Elizabeth Bishop, and Frank O'Hara, become themselves by becoming Whitman, but become Whitman, equally, by becoming themselves.

Keywords: American poetry; autobiography; figuration; imagination; Ralph Waldo Emerson; Walt Whitman; self; Louise Glück; Elizabeth Bishop

Chapter.  7733 words. 

Subjects: Literary Studies (Poetry and Poets)

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