Chapter

Reading Objects: Robert Lowell

Dan Chiasson

in One Kind of Everything

Published by University of Chicago Press

Published in print March 2007 | ISBN: 9780226103815
Published online February 2013 | e-ISBN: 9780226103846 | DOI: http://dx.doi.org/10.7208/chicago/9780226103846.003.0002
Reading Objects: Robert Lowell

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The work of Robert Lowell is marked by its pronounced use of autobiographical facts and by a profound, counterpointed skepticism about the poetic use of such facts. His career reads like an alternating conjuring, and subsequent repudiation, of the personal life. Lowell's use of autobiographical facts sparked an immediate scandal; among his contemporaries it was felt that excessive factuality violated the decorum of lyric poetry, a standard that modernism, with its emphasis on poetic impersonality, had reinforced. Later in Lowell's career, his critics' indictment of his excessive facticity seems to have been partly internalized—indeed his sublimely remorseful last poem, “Epilogue,” states the case against facticity most eloquently. This chapter examines how Lowell makes autobiography often literally hard to see. It focuses on three of his works: “Father's Bedroom,” “Blizzard in Cambridge,” and “For the Union Dead.”

Keywords: Robert Lowell; factuality; lyric poetry; autobiography; Father's Bedroom; Blizzard in Cambridge

Chapter.  7128 words. 

Subjects: Literary Studies (Poetry and Poets)

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