Chapter

Paradigms: the <i>Carmina Burana</i> and the <i>Libro de buen Amor</i>

Marisa Galvez

in Songbook

Published by University of Chicago Press

Published in print May 2012 | ISBN: 9780226280516
Published online February 2013 | e-ISBN: 9780226280523 | DOI: http://dx.doi.org/10.7208/chicago/9780226280523.003.0002
Paradigms: the Carmina Burana and the Libro de buen Amor

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This chapter describes two works as songbooks—the middle Latin compendium, the Carmina Burana, and the Castilian, Libro de buen amor—that are not conventionally regarded as lyric anthologies in the same sense as the monumental lyric anthologies such as the troubadour chansonniers. As these works were compiled near the time when many of the lyrics they contain were composed and performed, the chapter analyzes their function as songbooks in terms of their textual properties that allow for audience participation and reader interpolation. In imagining how a songbook may have emerged from certain kinds of textual material and performance and compiler practices, it casts light on the formal and hermeneutic structure that enables a work to be engaged to a community of readers, and oral and literate traditions to be assimilated to one another. Both the Carmina and the Libro, as codices compiled near the time of their songs' production, reflect the adaptation of several traditions within a student milieu. These songbooks reinforce the student practices of translating established musical and literary forms into local, orally transmitted ones.

Keywords: songbooks; Carmina Burana; Libro de buen amor; anthologies; lyrics

Chapter.  14494 words.  Illustrated.

Subjects: Literary Studies (Early and Medieval)

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