Chapter

Music

in Subversive Sounds

Published by University of Chicago Press

Published in print March 2008 | ISBN: 9780226328676
Published online March 2013 | e-ISBN: 9780226328690 | DOI: http://dx.doi.org/10.7208/chicago/9780226328690.003.0006
Music

Show Summary Details

Preview

When Africans were kidnapped and taken to North America, they were thrust into a world of monologue. To teach a slave to read or write was illegal in many states. Yet these Africans, and then African Americans, expressed themselves through music. This chapter examines how African Americans rejected America through black ballads and altered American and European musical sources through “signifying.” Signifying is an African American trope, usually understood as a literary device, that draws on a source but changes it, somewhat like satire but not necessarily derisive. Jazz musicians signified upon American music using African-influenced devices like syncopation, polyphony, call and response, and blues inflections. This led to the Africanization of American culture, making more porous the boundaries between black and white. This chapter also looks at New Orleans's culture of satire, the black church and the African American aesthetic, and religious Creole music.

Keywords: African Americans; black ballads; signifying; satire; jazz; blues; polyphony; black church; Creole; religious music

Chapter.  16304 words.  Illustrated.

Subjects: American Music

Full text: subscription required

How to subscribe Recommend to my Librarian

Users without a subscription are not able to see the full content. Please, subscribe or login to access all content.