Chapter

Styles of Modernism

András Bálint Kovács

in Screening Modernism

Published by University of Chicago Press

Published in print January 2008 | ISBN: 9780226451633
Published online February 2013 | e-ISBN: 9780226451664 | DOI: http://dx.doi.org/10.7208/chicago/9780226451664.003.0008
Styles of Modernism

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This chapter looks at four main styles representing the most important trends that influenced art filmmakers during the late modern period. Not all these tendencies were equally strong or influential in all periods during late modern cinema. Some of the general forms are not late modern inventions. Minimalism, for example, appeared already in the early modern period. Some of the forms discussed in the chapter may also characterize classical films, such as theatrical stylization. What makes the styles genuine ingredients of modernism is their specific manner of depicting the main aesthetic formal principles: abstraction, subjectivity, and reflexivity. The chapter also discusses three main trends within modern minimalist form. The first is metonymic minimalism, epitomized by Robert Bresson's films. The second is analytical minimalism, represented by Michelangelo Antonioni's films between 1957 and 1966. The third is expressive minimalism, and its main representative is Ingmar Bergman in his films made between 1961 and 1972.

Keywords: modernism; styles; modern cinema; minimalism; filmmakers; theatrical stylization; Robert Bresson; Michelangelo Antonioni; Ingmar Bergman; abstraction

Chapter.  9997 words.  Illustrated.

Subjects: Literary Theory and Cultural Studies

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