Chapter

The Year 1966

András Bálint Kovács

in Screening Modernism

Published by University of Chicago Press

Published in print January 2008 | ISBN: 9780226451633
Published online February 2013 | e-ISBN: 9780226451664 | DOI: http://dx.doi.org/10.7208/chicago/9780226451664.003.0019
The Year 1966

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The year 1966 was an important year in the history of modern cinema because it represents simultaneously a summit and a turning point. It was a summit because many of the most important films of modernism appeared in the period 1965–1966, and a turning point because many new trends or new periods started after this year. All the important filmmaking countries made their modernist turn by 1965, or at least attempts were made in this direction, such as in the case of West Germany. The second wave of modernist directors making their debuts before 1963 were already through their second films, while the first wave of modern directors were already regarded as “classical” masters. The filmmaker-auteur had achieved total autonomy over the film, and yet he remained alone. It was just this feeling of loneliness that provided the productive force to push on. The loneliness of the filmmaker-auteur appears as the central topic in three major films produced in 1966 by three great modern auteurs: Ingmar Bergman's Persona, Andrei Tarkovsky's Andrei Rublev, and Michelangelo Antonioni's Blow-Up.

Keywords: modern cinema; modernism; 1966; Andrei Tarkovsky; Michelangelo Antonioni; auteurs; Ingmar Bergman; Blow-Up; Andrei Rublev; Persona

Chapter.  5000 words.  Illustrated.

Subjects: Literary Theory and Cultural Studies

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