Chapter

Schelling

Berbeli Wanning

in Music in German Philosophy

Published by University of Chicago Press

Published in print January 2011 | ISBN: 9780226768373
Published online March 2013 | e-ISBN: 9780226768397 | DOI: http://dx.doi.org/10.7208/chicago/9780226768397.003.0005
Schelling

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This chapter provides the biography of Friedrich Wilhelm Joseph Schelling and describes his particular thoughts on musical philosophy. Schelling was born in Leonberg on January 27, 1775. In his final years, he continued to lecture at the Prussian Academy of Sciences. Schelling divided art into real and ideal, according to whether they manifested the objective, physical aspect or the subjective, spiritual aspect. His ideas about music as a formative art became influential only after the posthumous publication of Philosophy of Art. The contradiction between the ideal and the real was the basic pattern of Philosophy of Art. Schelling's music-aesthetical reflections can be comprehended as the attempt to do away with music's lack of aesthetic legitimacy. His Philosophy of Art attracted little notice among a broader public that had already turned its attention toward an aesthetic that was more strongly indebted to positivism.

Keywords: Friedrich Wilhelm Joseph Schelling; musical philosophy; Philosophy of Art; aesthetic legitimacy; real; ideal; positivism; Prussian Academy of Sciences

Chapter.  11604 words. 

Subjects: Aesthetics and Philosophy of Art

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