Chapter

Modeling Music

Anna-Lise P. Santella

in American Orchestras in the Nineteenth Century

Published by University of Chicago Press

Published in print April 2012 | ISBN: 9780226769769
Published online March 2013 | e-ISBN: 9780226769776 | DOI: http://dx.doi.org/10.7208/chicago/9780226769776.003.0003
Modeling Music

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The women's orchestra movement was a direct response to the dearth of public performance opportunities for women. The first American women's orchestras were founded in the 1870s. The career model and the club model sought a quality that would today be defined as professionalism. The two models evolved and eventually merged into a new, professional women's symphony model that was characteristic of women's orchestras founded in the twentieth century and enabled women instrumentalists to enter orchestras. Like the Vienna Lady Orchestra, the Ladies Elite Orchestra succeeded in combining novelty and musicianship. The career and club models together defined early women's orchestras but could also limit them. The Woman's Symphony Orchestra of Chicago was the most prominent and successful example of the new professional model. The work of nineteenth-century women's orchestras had extended women's performance opportunities and removed many of the barriers that had limited their work.

Keywords: American women's orchestras; career model; club model; Vienna Lady Orchestra; Ladies Elite Orchestra; Woman's Symphony Orchestra; novelty; musicianship

Chapter.  8818 words.  Illustrated.

Subjects: American Music

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