Chapter

Clouzot and the cinema

Christopher Lloyd

in Henri-Georges Clouzot

Published by Manchester University Press

Published in print May 2007 | ISBN: 9780719070143
Published online July 2012 | e-ISBN: 9781781701065 | DOI: http://dx.doi.org/10.7228/manchester/9780719070143.003.0010
Clouzot and the cinema

Show Summary Details

Preview

This chapter examines in the broad context Clouzot and his cinema, situating him in the wider context of French history and cinema in the mid-twentieth century. The chapter explores the forces, personal, political and social, that shaped his career as a filmmaker. It also highlights the extent to which his films propose a consistent, personal vision, and the way they reflect the important social and aesthetic changes of his time. Furthermore, it explores the question of whether Clouzot qualifies as an auteur, as an original and innovative creator, or whether he was essentially a technically brilliant craftsman, a skilled manipulator of audiences, who produced a series of arresting genre films. Finally, it asks if his films were influenced in any way by the rise of the New Wave of French directors and critics from the late 1950s, or was it that they remained rooted in what some hostile commentators saw as a conventional and stultifying classicism.

Keywords: Clouzot; cinema; filmmaker; personal vision; skilled manipulator; artist

Chapter.  11341 words. 

Subjects: Film

Full text: subscription required

How to subscribe Recommend to my Librarian

Users without a subscription are not able to see the full content. Please, subscribe or login to access all content.