Chapter

Pessoptimistic fictions: <i>Haroun and the Sea of Stories</i> and <i>The Moor's Last Sigh</i>

Andrew Teverson

in Salman Rushdie

Published by Manchester University Press

Published in print November 2007 | ISBN: 9780719070501
Published online July 2012 | e-ISBN: 9781781701225 | DOI: http://dx.doi.org/10.7228/manchester/9780719070501.003.0009
Pessoptimistic fictions: Haroun and the Sea of Stories and The Moor's Last Sigh

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This chapter discusses the novels The Moor's Last Sigh and Haroun and the Sea of Stories. Rushdie's sixth novel, The Moor's Last Sigh, may be seen as the fictional embodiment of a darker, less forgiving assessment of India's post-Independence political life. Here, much of the ebullience that characterised Midnight's Children has evaporated in the heat of communitarian violence and rampant political corruption, whilst the political resolution which the next generation was supposed to have embodied has been diverted into rapacious stock-market speculation and commodity fetishism. The narrative of Haroun and the Sea of Stories is similar to that of The Moor: the conflict between a pluralist and tolerant society and a monolithic and intolerant political order. In Haroun, the conflict appears in the guise of fantasy.

Keywords: Salman Rushdie; novels; Sea of Stories; Moor's Last Sigh; Indian politics

Chapter.  5764 words. 

Subjects: Literary Studies (20th Century onwards)

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