Chapter

Conclusion

Sara Upstone

in British Asian Fiction

Published by Manchester University Press

Published in print September 2010 | ISBN: 9780719078323
Published online July 2012 | e-ISBN: 9781781703229 | DOI: http://dx.doi.org/10.7228/manchester/9780719078323.003.0011
Conclusion

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In some ways, this book marks just a beginning. The British Asian authors it focuses on are all still writing, seven of them are under the age of fifty. Their presence has realised Salman Rushdie's ‘newness’: a reinvigoration of British fiction from a perspective that can be compared to neither the postcolonial writing of their parents' generation nor an earlier British literature written from a predominantly white, predominantly Christian, perspective. Such ‘newness’ takes many divergent forms, and cannot be reduced to a singular definition of the ‘British Asian text’. Rather, it offers complex interventions into issues not just of race or ethnicity, but also broader questions of gender, religion, community and – ultimately, as with all fiction – what it means to live. This beginning is marked, moreover, by the emergence of a number of new voices – all in their thirties, and all born in Britain.

Keywords: Britain; British Asian; British Asian authors; Salman Rushdie; race; ethnicity; British literature; newness; British Asian text; gender

Chapter.  3407 words. 

Subjects: Literary Studies (20th Century onwards)

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