Reference Entry

Abrabanel, Isaac ben Judah

Don Harrán

in Oxford Music Online

Published in print January 2001 |
Published online January 2001 | e-ISBN: 9781561592630 | DOI: https://dx.doi.org/10.1093/gmo/9781561592630.article.42197

More Like This

Show all results sharing these subjects:

  • Music
  • Early Renaissance Music (1400-1500)
  • High Renaissance Music (1500-1600)

GO

Show Summary Details

Preview

(b Lisbon, 1437; d Venice, 1508). Philosopher and biblical exegete. His writing on music forms the introduction to his commentary on Exodus xv (the ‘Song of the Sea’, 1505; I-Rvat Rossiano 925, also printed in Venice in 1579). Relying on earlier sources including Ibn Rushd's commentary on Aristotle's Poetics and Moses ibn Tibbon's commentary on the Song of Solomon, Abrabanel describes three kinds of verse set to music: with metre and rhyme, as in Hebrew hymns (piyyutim); without metre or rhyme, yet arranged in a succession of short and long lines (as in the ‘Song of the Sea’); and metaphorical texts, by which he appears to refer to Psalms. Whereas, for him, the first and third kinds do not require music to qualify as poetry (prosodic considerations prevail in the first, conceptual ones in the third), the second kind does (its construction depends on its musical usage). Yet all three kinds rely on music for their usual mode of presentation. The author recognizes different functions for music in conjunction with poetry: to serve as a mnemonic device for retaining the texts, to improve the understanding of their content, and to elevate the spirit....

Reference Entry.  240 words. 

Subjects: Music ; Early Renaissance Music (1400-1500) ; High Renaissance Music (1500-1600)

Full text: subscription required

How to subscribe Recommend to my Librarian

Users without a subscription are not able to see the full content. Please, subscribe or login to access all content. subscribe or login to access all content.