Chapter

1934–1935

James Steichen

in Balanchine and Kirstein's American Enterprise

Published in print December 2018 | ISBN: 9780190607418
Published online November 2018 | e-ISBN: 9780190607449 | DOI: https://dx.doi.org/10.1093/oso/9780190607418.003.0004
1934–1935

Show Summary Details

Preview

This chapter examines the March 1935 performances of the American Ballet at the Adelphi Theater in New York City, the official premiere of the company and its new repertoire. Preparations for the engagement revealed ongoing disagreement about the direction of the enterprise, and the performances met with a mixed reception. The engagement was an occasion for Kirstein and others to debate the goals and mission of the organization, and dance critic John Martin was one of many critical voices contributing to debate on their efforts. The American Ballet’s activities were in part a response to the Russian ballet companies then active in the United States, notably the troupe led by choreographer Léonide Massine. Massine’s recent innovation of “symphonic ballet” was one of many artistic trends with which Balanchine’s work was in dialogue, most notably in his ballet Serenade.

Keywords: George Balanchine; Lincoln Kirstein; American Ballet; John Martin; Errante; Serenade; Edward Warburg; Léonide Massine; symphonic ballet

Chapter.  9135 words.  Illustrated.

Subjects: Dance

Full text: subscription required

How to subscribe Recommend to my Librarian

Buy this work at Oxford University Press »

Users without a subscription are not able to see the full content. Please, subscribe or login to access all content. subscribe or purchase to access all content.