James Steichen

in Balanchine and Kirstein's American Enterprise

Published in print December 2018 | ISBN: 9780190607418
Published online November 2018 | e-ISBN: 9780190607449 | DOI:

Show Summary Details


In 1937 Balanchine and Kirstein’s collaborative efforts achieved many successes. Balanchine created dances for the Rodgers and Hart musical Babes in Arms, working with a youthful cast that included tap dancers Duke McHale and the Nicholas Brothers. The American Ballet presented a well-received Stravinsky festival, which featured the composer as guest conductor and marked the American premiere of Balanchine’s Apollon Musagète. The festival also included the premieres of The Card Party and The Fairy’s Kiss, both of which were better received than Apollon. Soon after these projects, Balanchine and Kirstein made a decision to part ways, with Balanchine focusing on the American Ballet and his Broadway work and Kirstein devoting his attention to Ballet Caravan. This institutional drift would eventually lead to the collapse of the American Ballet in early 1938.

Keywords: American Ballet; George Balanchine; Lincoln Kirstein; Igor Stravinsky; Richard Rodgers; Lorenz Hart; Babes in Arms; Apollon Musagète

Chapter.  8091 words. 

Subjects: Dance

Full text: subscription required

How to subscribe Recommend to my Librarian

Buy this work at Oxford University Press »

Users without a subscription are not able to see the full content. Please, subscribe or login to access all content. subscribe or login to access all content.