Chapter

“A Stretch of Time”

J. P. Kelly

in Time in Television Narrative

Published by University Press of Mississippi

Published in print July 2012 | ISBN: 9781617032936
Published online March 2014 | e-ISBN: 9781617032943 | DOI: https://dx.doi.org/10.14325/mississippi/9781617032936.003.0003
“A Stretch of Time”

Show Summary Details

Preview

A number of series, such as 24, bear the hallmarks of so-called “network time,” namely acceleration and real-time. Although scholars maintain that “network time” is the dominant temporality of the twenty-first century, this chapter argues that the flexibility of distribution in contemporary television has resulted in multiple narrative temporalities. It uses Prison Break to challenge many of the assumptions made by “network time” scholarship. Taking an industrial-textual approach, the chapter highlights the interdependent relationship between narrative and distribution, while also revealing key differences between the seriality of shows such as Prison Break (which uses “serialized seasons”) versus series such as 24 (which uses “episodic seasons”).

Keywords: television programs; television series; 24; network time; narrative temporalities

Chapter.  5372 words. 

Subjects: Television

Full text: subscription required

How to subscribe Recommend to my Librarian

Users without a subscription are not able to see the full content. Please, subscribe or login to access all content. subscribe or login to access all content.