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App Music

Jeremy Morris.

in The Oxford Handbook of Music and Virtuality

March 2016; p ublished online March 2016 .

Article. Subjects: Music; Music and Media. 8935 words.

Although musicians and labels have been slow to jump into application production for mobile devices, major artists such as Björk and Lady Gaga have recently released expensive and expansive...

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Applying Psychological Plausibility to the Uncanny Valley Phenomenon

Angela Tinwell.

in The Oxford Handbook of Virtuality

February 2014; p ublished online December 2013 .

Article. Subjects: Music; Music and Media; Applied Music. 6697 words.

With its roots in psychological writings of the twentieth century, the subject of the uncanny provides ways of critically analyzing why some objects appear eerie or make us feel...

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The Audio-Logo-Visual and the Sound of Languages in Recent Film

Michel Chion.

in The Oxford Handbook of New Audiovisual Aesthetics

September 2013; p ublished online December 2013 .

Article. Subjects: Music; Music and Media. 6256 words.

This article appears in the Oxford Handbook of New Audiovisual Aesthetics edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Language is "divided" into its (unrelated) spoken...

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Audiovisual Aesthetics in Contemporary Experimental Film

Gabriele Jutz.

in The Oxford Handbook of Sound and Image in Western Art

August 2016; p ublished online July 2016 .

Article. Subjects: Music; Music and Media; Musicology and Music History. 12925 words.

This chapter maps the territory of the contemporary audiovisual cinematic avant-garde, which arose at the very moment of celluloid’s passage from mass use to obsolescence. It presents films...

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Audiovisual Archives

Judith Gray.

in The Oxford Handbook of Musical Repatriation

P ublished online September 2018 .

Article. Subjects: Ethnomusicology; Music and Media. 5846 words.

This chapter provides an account of several audiovisual dissemination activities of the Federal Cylinder Project and the American Folklife Center since the 1970s. Institutional protocols,...

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The Audiovisual Construction of Transgender Identity in Transamerica

Susanna Välimäki.

in The Oxford Handbook of New Audiovisual Aesthetics

September 2013; p ublished online August 2013 .

Article. Subjects: Music; Music and Media. 7829 words.

This article appears in the Oxford Handbook of New Audiovisual Aesthetics edited by John Richardson, Claudia Gorbman, and Carol Vernallis. This chapter discusses audiovisual communication...

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Audiovisual Objects, Multisensory People, and the Intensified Ordinary in Hong Kong Action Films

Charles Kronengold.

in The Oxford Handbook of New Audiovisual Aesthetics

September 2013; p ublished online December 2013 .

Article. Subjects: Music; Music and Media. 10378 words.

This article appears in the Oxford Handbook of New Audiovisual Aesthetics edited by John Richardson, Claudia Gorbman, and Carol Vernallis. This chapter explores audiovisual intensification...

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Audiovisual Palimpsests

Julie Brown.

in The Oxford Handbook of Film Music Studies

December 2013; p ublished online December 2013 .

Article. Subjects: Music; Musicology and Music History; Music and Media. 14307 words.

This chapterexamines questions about musical scores of silent films. It highlights the ephemeralityof exhibition practices for the silent film and describes the reconstruction and...

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Audio-Visual Space in an Era of Technological Convergence

Robynn J. Stilwell.

in The Oxford Handbook of New Audiovisual Aesthetics

September 2013; p ublished online December 2013 .

Article. Subjects: Music; Music and Media. 7412 words.

This article appears in the Oxford Handbook of New Audiovisual Aesthetics edited by John Richardson, Claudia Gorbman, and Carol Vernallis. While the commercial and sociological aspects of...

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Aural Armor

J. Martin Daughtry.

in The Oxford Handbook of Mobile Music Studies, Volume 1

April 2014; p ublished online July 2014 .

Article. Subjects: Music; Sound Studies. 17619 words.

This chapter examines the history of the militarization of the iPod portable media player during the first six years of Operation Iraqi Freedom. Drawing on interviews and correspondence...

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Auteurship and Agency In Television Music

Ronald Rodman.

in The Oxford Handbook of Film Music Studies

December 2013; p ublished online December 2013 .

Article. Subjects: Music; Musicology and Music History; Music and Media. 14931 words.

This chapteroffers a survey of literature and analytical approaches in the study of television music. It explains the distinction between composer-based,auteurist models and agency-oriented...

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The Avant-Garde in the Family Room: American Advertising and the Domestication of Electronic Music in the 1960s and 1970s

Timothy D. Taylor.

in The Oxford Handbook of Sound Studies

December 2011; p ublished online November 2012 .

Article. Subjects: Music; Sound Studies; Musicology and Music History. 9701 words.

Today, the world is surrounded by electronic sounds of all kinds, which were not always so omnipresent or accepted. This article offers a history of the domestication of sounds that were...

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Avatar Psychology

James K. Scarborough and Jeremy N. Bailenson.

in The Oxford Handbook of Virtuality

February 2014; p ublished online December 2013 .

Article. Subjects: Music; Music and Media; Applied Music. 7180 words.

The explosive growth and dissemination of internetworking technology has changed what we may consider community, culture, and society. A major part of this movement toward the virtual is...

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Avatar Rockstars

Trevor S. Harvey.

in The Oxford Handbook of Music and Virtuality

March 2016; p ublished online March 2016 .

Article. Subjects: Music; Music and Media. 8419 words.

Audiences have long been entertained by—and many scholars have critically examined—the constructed identities and performances of personae that are fundamental to popular musical culture....

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Avoidable Pitfalls in Virtual-World Learning Design

Keysha I. Gamor.

in The Oxford Handbook of Virtuality

February 2014; p ublished online December 2013 .

Article. Subjects: Music; Music and Media; Applied Music. 5548 words.

This chapter discusses observations about the common pitfalls when embarking upon a project to design and implement a virtual world. These include the omission of a front-end analysis, the...

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Bands in Virtual Spaces, Social Networking, and Masculinity

Danijela Bogdanovic.

in The Oxford Handbook of Music and Virtuality

March 2016; p ublished online March 2016 .

Article. Subjects: Music; Music and Media. 8816 words.

Ethnographically informed, the chapter investigates opportunities for transgression of culturally available discourses of gender through visual and textual coding of masculinity,...

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Being More Than Yourself

André Nusselder.

in The Oxford Handbook of Virtuality

February 2014; p ublished online December 2013 .

Article. Subjects: Music; Music and Media; Applied Music. 7393 words.

André Nusselder’s chapter references the work of philosophers such as Kierkegaard and Badiou to argue for an ethical framework to regulate the excess of virtuality brought about by the...

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Being Present in a Virtual World

Guiseppe Riva and John A. Waterworth.

in The Oxford Handbook of Virtuality

February 2014; p ublished online December 2013 .

Article. Subjects: Music; Music and Media; Applied Music. 7182 words.

This chapter examines the concept of presence in a virtual world. It discusses recent findings of cognitive sciences research to offer a broader definition of presence. It suggests that...

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Between Artifice and Authenticity

Theo Cateforis.

in The Oxford Handbook of Sound and Image in Digital Media

December 2013; p ublished online December 2013 .

Article. Subjects: Music and Media. 5492 words.

This article appears in the Oxford Handbook of Sound and Image in Digital Media edited by Carol Vernallis, Amy Herzog, and John Richardson. As the 1997 political satire Wag the Dog demonstr...

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Between Generation and Suspension

Ruth HaCohen.

in The Oxford Handbook of Sound and Image in Western Art

August 2016; p ublished online July 2016 .

Article. Subjects: Music; Music and Media; Musicology and Music History. 11198 words.

The chapter discusses two modes of combining music and moving images that developed in modernism. The first mode, which the author terms generation, relates to a type of animated narrative...

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