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Adaptation as Exploration: Stanley Kubrick, Literature, and A.I. Artificial Intelligence

Peter Krämer.

in Adaptation

December 2015; p ublished online August 2015 .

Journal Article. Subjects: Literary Studies (Plays and Playwrights); Literary Studies (20th Century onwards); Film; Literature; Television. 6294 words.

It is widely acknowledged in the scholarly work on Stanley Kubrick that most of his thirteen feature films were adaptations of literary texts. Much less attention has been paid to the fact...

The End of Family in Kubrick’s A Clockwork Orange

Joy McEntee.

in Adaptation

December 2015; p ublished online March 2015 .

Journal Article. Subjects: Literary Studies (20th Century onwards); Film; Television. 4641 words.

In A Clockwork Orange (A Clockwork Orange. Dir. Stanley Kubrick. UK. 1971), and conspicuously so at the end of the film, Stanley Kubrick reworks his source material so that the masculine...

The Uncanny, The Gothic and The Loner: Intertextuality in the Adaptation Process of The Shining

Catriona McAvoy.

in Adaptation

December 2015; p ublished online April 2015 .

Journal Article. Subjects: Literary Studies (Plays and Playwrights); Literary Studies (20th Century onwards); Film; Literature; Television. 7916 words.

This paper explores the intertextual approach used by Stanley Kubrick and Diane Johnson during the adaptation process of The Shining (1980). The exploration is approached through new...