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André Gide, ou, L’art de la fugue: musique et littérature. Sous la direction de Greta Komur-Thilloy et Pierre Thilloy

Patrick Pollard.

in French Studies

October 2018; p ublished online September 2018 .

Journal Article. Subjects: European History; European Languages; Literary Studies (European). 423 words.

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Si le grain ne meurt

David Walker.

in The New Oxford Companion to Literature in French

January 1995; p ublished online January 2005 .

Reference Entry. Subjects: Literary Studies (European). 207 words.

Autobiography of André Gide (1926). The work had been a long‐term project, connected with Gide's determination from an

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Larbaud, Valéry-Nicolas (1881–1957)

Edited by Owen Knowles and Gene M. Moore.

in Oxford Reader’s Companion To Conrad

January 2000; p ublished online January 2011 .

Reference Entry. Subjects: Literary Studies (19th Century). 155 words.

Valéry Larbaud first met Conrad in July 1911 on a visit to Capel House with André *Gide and Agnes

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Perséphone

Michael Kennedy and Joyce Bourne Kennedy.

in The Concise Oxford Dictionary of Music

January 2007; p ublished online January 2007 .

Reference Entry. Subjects: Music. 62 words.

Melodrama in 3 scenes by Stravinsky to lib. by André Gide, choreog. Jooss, for narr., ten., ch., children's ch.,

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Immoraliste, L'

David Walker.

in The New Oxford Companion to Literature in French

January 1995; p ublished online January 2005 .

Reference Entry. Subjects: Literary Studies (European). 99 words.

Novel by André Gide, published 1902 and termed by him a récit, being narrated in the first person

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Wenz, Paul (1869–1939)

William H. Wilde, Joy Hooton and Barry Andrews.

in The Oxford Companion to Australian Literature

January 1994; p ublished online January 2005 .

Reference Entry. Subjects: Literary Studies - World. 614 words.

(1869–1939),

born Rheims, France, went to school with André Gide, with whom he remained friendly. He came

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Wicks, Susan (1947–)

Edited by Dinah Birch.

in The Oxford Companion to English Literature

January 2009; p ublished online January 2009 .

Reference Entry. Subjects: Literary Studies (British and Irish). 155 words.

Wicks read French at the universities of Hull and Sussex, writing a dissertation on the work of André *Gide...

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‘Olivia’ (1866–1960)

Jenny Stringer.

in The Oxford Companion to Twentieth-Century Literature in English

January 1996; p ublished online January 2005 .

Reference Entry. Subjects: Literary Studies (20th Century onwards). 124 words.

(1866–1960),

British novelist and translator. Sister of Lytton Strachey, friend and translator of André Gide, Strachey

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mise‐en‐abyme

Chris Baldick.

in The Oxford Dictionary of Literary Terms

January 2008; p ublished online January 2008 .

Reference Entry. Subjects: Literary Theory and Cultural Studies. 111 words.

A term coined by the French writer André Gide, supposedly from the language of heraldry, to refer to an

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mise-en-abyme

Chris Baldick.

in The Oxford Dictionary of Literary Terms

January 2015; p ublished online July 2015 .

Reference Entry. Subjects: Literary Theory and Cultural Studies. 112 words.

A term coined by the French writer André Gide, supposedly from the language of heraldry, to refer to an

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Si le grain ne meurt

Overview page. Subjects: Literature.

Autobiography of André Gide (1926). The work had been a long‐term project, connected with Gide's determination from an early age to sound out and make manifest all aspects of his ...

See overview in Oxford Index

Acte gratuit

Edited by Susie Dent.

in Brewer's Dictionary of Phrase & Fable

January 2012; p ublished online January 2013 .

Reference Entry. Subjects: History of English. 25 words.

A gratuitous or meaningless action performed on an impulse. The phrase was coined by the writer André Gide (1869–1951

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Victor Hugo 1802–85

Edited by Susan Ratcliffe.

in Oxford Essential Quotations

P ublished online January 2015 .

Reference Entry. Subjects: Language Reference. 36 words.

Hugo—hélas!

Hugo—alas!

when asked who was the greatest 19th-century poet

André Gide 1869–1951 French novelist and critic

Claude

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Victor Hugo 1802–85

Edited by Susan Ratcliffe.

in Oxford Essential Quotations

P ublished online January 2014 .

Reference Entry. Subjects: Language Reference. 36 words.

Hugo—hélas!

Hugo—alas!

when asked who was the greatest 19th-century poet

André Gide 1869–1951 French novelist and critic

Claude

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Victor Hugo 1802–85

Edited by Susan Ratcliffe.

in Oxford Essential Quotations

P ublished online September 2016 .

Reference Entry. Subjects: Language Reference. 36 words.

Hugo—hélas!

Hugo—alas!

when asked who was the greatest 19th-century poet

André Gide 1869–1951 French novelist and critic

Claude

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Victor Hugo 1802–85

Edited by Susan Ratcliffe.

in Oxford Essential Quotations

P ublished online January 2012 .

Reference Entry. Subjects: Language Reference. 36 words.

Hugo—hélas!

Hugo—alas!

when asked who was the greatest 19th-century poet

André Gide 1869–1951 French novelist and critic

Claude

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Victor Hugo 1802–85

Edited by Susan Ratcliffe.

in Oxford Essential Quotations

P ublished online September 2017 .

Reference Entry. Subjects: Language Reference. 36 words.

Hugo—hélas!

Hugo—alas!

when asked who was the greatest 19th-century poet

André Gide 1869–1951 French novelist and critic

Claude

Go to Oxford Reference »  home page

Victor Hugo 1802–85

Edited by Susan Ratcliffe.

in Oxford Essential Quotations

P ublished online September 2018 .

Reference Entry. Subjects: Language Reference. 36 words.

Hugo—hélas!

Hugo—alas!

when asked who was the greatest 19th-century poet

André Gide 1869–1951 French novelist and critic

Claude

Go to Oxford Reference »  home page

Perséphone

Edited by Alison Latham.

in The Oxford Companion to Music

P ublished online January 2011 .

Reference Entry. Subjects: Music. 35 words.

Melodrama in three scenes by Stravinsky to a libretto by André Gide; for narrator, tenor, chorus, children's chorus, and orchestra, it was choreographed by ...

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Perséphone

Edited by Joyce Bourne.

in The Oxford Dictionary of Music

January 2012; p ublished online May 2013 .

Reference Entry. Subjects: Music. 62 words.

Melodrama in 3 scenes by Stravinsky to lib. by André Gide, choreog. Jooss, for nar, ten., ch, children's ch, and orch. Comp. ...

Go to Oxford Reference »  home page