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community x Industrial and Commercial Art x Art Styles x clear all

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community

Overview page. Subjects: Social Sciences — Arts and Humanities.

Many sociological and anthropological definitions exist, but most tend to privilege some combination of small-scale, relative boundedness, strong affective ties, traditionalism, and...

See overview in Oxford Index

The Good Women of Peterhouse: Patriarchal Community, Femininity and University Reform

Veronica Carter.

in Journal of Design History

May 2015; p ublished online April 2015 .

Journal Article. Subjects: Art Forms; Art Styles; History of Art; Industrial and Commercial Art. 8664 words.

This article reads a Morris, Marshall, Faulkner & Company stained glass window in light of Victorian reforms extending university education to women. Designed by Edward Burne-Jones and...

Walt Disney and the Quest for Community

Esther Leslie.

in Journal of Design History

January 2003; p ublished online January 2003 .

Journal Article. Subjects: History of Art; Art Forms; Industrial and Commercial Art; Art Styles. 0 words.

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The Alderley Sandhills Project: An Archaeology of Community Life in (Post)-Industrial England

Kate Smith.

in Journal of Design History

March 2011; p ublished online March 2011 .

Journal Article. Subjects: History of Art; Art Forms; Industrial and Commercial Art; Art Styles. 1130 words.

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Social Individualism: Walter Gropius and his Appropriation of Franz Müller-Lyer's Idea of a New Man

Tanja Poppelreuter.

in Journal of Design History

March 2011; p ublished online March 2011 .

Journal Article. Subjects: History of Art; Art Forms; Industrial and Commercial Art; Art Styles. 10971 words.

In 1929, Walter Gropius developed the ‘High-Rise Steel Frame Apartment Building’ that was based on theories about the emergence of a New Man put forward by sociologist Franz Müller-Lyer. In...

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Art to the Worker! National Socialist Fabrikausstellungen, Slippery Household Goods and Volksgemeinschaft

Michael Tymkiw.

in Journal of Design History

November 2013; p ublished online January 2013 .

Journal Article. Subjects: History of Art; Art Forms; Industrial and Commercial Art; Art Styles. 10171 words.

The Nazi leisure organization Kraft durch Freude organized roughly 4,000 exhibitions of artworks, crafts, and consumer objects in factories across Germany. This paper explores the...

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A World History of Design and the History of the World

Victor Margolin.

in Journal of Design History

January 2005; p ublished online January 2005 .

Journal Article. Subjects: History of Art; Art Forms; Industrial and Commercial Art; Art Styles. 6375 words.

World history, as an institutional enterprise with a community of scholars, a journal, and a professional association, is a comparatively recent phenomenon. Although comprehensive world...

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Affirmed Objects in Affirmed Places: History, Geographic Sentiment and a Region's Crafts

MICHAEL J. CHIARAPPA.

in Journal of Design History

January 1997; p ublished online January 1997 .

Journal Article. Subjects: History of Art; Art Forms; Industrial and Commercial Art; Art Styles. 0 words.

While it is frequently assumed that regional craft expresses regional identity, closer examination of the individuals that produce and study such craft, and the effects of their...

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Parallel Practices and the Dialectics of Open Creative Production

Gregory Turner-Rahman.

in Journal of Design History

January 2008; p ublished online January 2008 .

Journal Article. Subjects: History of Art; Art Forms; Industrial and Commercial Art; Art Styles. 10211 words.

For over a decade, design culture portals have hosted online resources such as tutorials, examples of compelling design and links to other design-related websites. Although now surpassed by...

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How an Excavator Got Aesthetic Pretensions—Negotiating Design in 1960s’ Norway

Kjetil Fallan.

in Journal of Design History

January 2007; p ublished online January 2007 .

Journal Article. Subjects: History of Art; Art Forms; Industrial and Commercial Art; Art Styles. 11484 words.

The highly mythical phenomenon, or even mythological construction, generally known as ‘Scandinavian Design’ reached its zenith in the mid to late 1950s. These so-called golden years have...

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Batmobama and ObaMarx: The Meanings of the Material and Visual Culture of Obama Mania

Elizabeth Kramer.

in Journal of Design History

November 2013; p ublished online December 2012 .

Journal Article. Subjects: History of Art; Art Forms; Industrial and Commercial Art; Art Styles. 9059 words.

This paper argues that the countless objects created in Barack Obama’s image during the Obama Mania of 2008–2009 were more than mere tokens of cool or examples of the spontaneous,...

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Alfred Powell: Idealism and Realism in the Cotswolds

JACQUELINE SARSBY.

in Journal of Design History

January 1997; p ublished online January 1997 .

Journal Article. Subjects: History of Art; Art Forms; Industrial and Commercial Art; Art Styles. 0 words.

Alfred Powell's idea of art embraced all work, not just what could be sold in a gallery; he saw it as inherent in happy, satisfying work of all kinds. Gimson's workshops in the South...

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The ‘Galicia Moda’ Project: The First Attempt to Launch Galician Fashion

Natalia Quintas Froufe.

in Journal of Design History

June 2010; p ublished online June 2010 .

Journal Article. Subjects: History of Art; Art Forms; Industrial and Commercial Art; Art Styles. 6067 words.

In the 1980s, when the Galician clothing and textile industry started to take-off and Galician fashion was born, Galicia did not have a consolidated textile company structure, which other...

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John Cotton Dana and the Politics of Exhibiting Industrial Art in the US, 1909–1929

Nicolas Maffei.

in Journal of Design History

January 2000; p ublished online January 2000 .

Journal Article. Subjects: Art Forms; Art Styles; History of Art; Industrial and Commercial Art. 0 words.

Between 1909 and 1929, John Cotton Dana directed New Jersey's Newark Museum and pioneered the museum exhibition of mass-produced goods, initiating a trend among American art museums,...

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Protestant Pots

Andrew Morrall.

in Journal of Design History

January 2002; p ublished online January 2002 .

Journal Article. Subjects: History of Art; Art Forms; Industrial and Commercial Art; Art Styles. 0 words.

This essay examines the uses of religious and exemplary imagery as decoration for domestic ceramics in sixteenth-century Northern Europe. It considers a number of meanings that imagery,...

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‘Fit for its purpose’: Nikolaus Pevsner Argues for the Modern Movement

Ute Engel.

in Journal of Design History

February 2015; p ublished online April 2014 .

Journal Article. Subjects: Art Forms; Art Styles; History of Art; Industrial and Commercial Art. 8973 words.

This article concentrates on the first years of Nikolaus Pevsner in Great Britain, when a fellowship at the University of Birmingham (1934–1935) enabled him to investigate industrial...

Re-Learning Postmodernism in the History of Graphic Design: A (Con)Textual Analysis of Design Journal in the Late 1960s

Julia Moszkowicz.

in Journal of Design History

November 2013; p ublished online February 2013 .

Journal Article. Subjects: History of Art; Art Forms; Industrial and Commercial Art; Art Styles. 10526 words.

This article provides a historical understanding of the term postmodernism, in light of its use by members of the British design community in the late 1960s. It offers close textual...

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The History of Advertising Design in Kuwait: Post-Oil Cultural Shifts 1947-1959

Khaled Al Najdi and Rosalie Smith McCrea.

in Journal of Design History

March 2012; p ublished online March 2012 .

Journal Article. Subjects: History of Art; Art Forms; Industrial and Commercial Art; Art Styles. 14716 words.

The advertising design of the 1950s reveals a history of the economic and social conditions that changed the lives and institutions of the Kuwaiti people after the discovery of oil in 1938....

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‘One Must Offer “Something for Everyone” ’: Designing Crockery for Consumer Consent in 1950s’ Norway

Kjetil Fallan.

in Journal of Design History

June 2009; p ublished online June 2009 .

Journal Article. Subjects: History of Art; Art Forms; Industrial and Commercial Art; Art Styles. 9087 words.

‘One must offer “something for everyone”.’ These words belong to Ragnar Grimsrud, ceramic designer and general manager of the Norwegian earthenware factory Figgjo, when he in 1955 was...

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Scissors and Glue:

Teal Triggs.

in Journal of Design History

January 2006; p ublished online January 2006 .

Journal Article. Subjects: History of Art; Art Forms; Industrial and Commercial Art; Art Styles. 8683 words.

The fanzine producer Chris Wheelchair (sic) remarked in the editorial of Ruptured Ambitions (1992) that his Plymouth-based fanzine is ‘all about helping promote the DIY...

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