Oxford Index Search Results

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community x Music and Media x clear all

community

Overview page. Subjects: Social Sciences — Arts and Humanities.

Many sociological and anthropological definitions exist, but most tend to privilege some combination of small-scale, relative boundedness, strong affective ties, traditionalism, and...

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Online Music Sites as Sonic Sociotechnical Communities: Identity, Reputation, and Technology at ACIDplanet.com

Trevor Pinch and Katherine Athanasiades.

in The Oxford Handbook of Sound Studies

December 2011; p ublished online November 2012 .

Article. Subjects: Music; Sound Studies; Applied Music. 10623 words.

This article focuses upon one form of digital music making that is created and shared among Internet users. Websites dedicated to this new form of musical production and consumption are...

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The Listener as Remixer

Samantha Bennett.

in The Oxford Handbook of Music and Virtuality

March 2016; p ublished online March 2016 .

Article. Subjects: Music; Music and Media. 9315 words.

In Intertextuality and Hypertextuality in Recorded Popular Music, Lacasse identified early examples of interactive remixing. In the decade since Lacasse argued that such practice signified...

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Video Speech in Latin America

Michael Chanan.

in The Oxford Handbook of New Audiovisual Aesthetics

September 2013; p ublished online August 2013 .

Article. Subjects: Music; Music and Media. 8112 words.

This article appears in the Oxford Handbook of New Audiovisual Aesthetics edited by John Richardson, Claudia Gorbman, and Carol Vernallis. In rehearsing the history of video in Latin...

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Audiovisual Archives

Judith Gray.

in The Oxford Handbook of Musical Repatriation

P ublished online September 2018 .

Article. Subjects: Ethnomusicology; Music and Media. 5846 words.

This chapter provides an account of several audiovisual dissemination activities of the Federal Cylinder Project and the American Folklife Center since the 1970s. Institutional protocols,...

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A history of film music III: 1960–present

Kathryn Kalinak.

in Film Music: A Very Short Introduction

May 2010; p ublished online September 2013 .

Chapter. Subjects: Film, Television, and Video Game Music; Film. 5627 words.

The second half of the 20th century saw a transformation in film music. The varied practices that developed in terms of the use of song and background music began to join as a compilation...

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Music Making on YouTube

Christopher Cayari.

in The Oxford Handbook of Music Making and Leisure

February 2017; p ublished online January 2017 .

Article. Subjects: Music Education and Pedagogy; Music and Media. 9519 words.

People are making music at their leisure and publishing it online. YouTube has provided a space for musicians to publish multitrack music videos, join collective musical ensembles, and...

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The Search for the “Killer Application”: Drawing the Boundaries around the Sonification of Scientific Data

Alexandra Supper.

in The Oxford Handbook of Sound Studies

December 2011; p ublished online November 2012 .

Article. Subjects: Music; Sound Studies; Applied Music. 10107 words.

While the ears interpret information all the time, the usage of sound to represent scientific data remains contested. This article deals with the sonification of scientific data. It focuses...

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Analog Turns Digital: Hip-Hop, Technology, and the Maintenance of Racial Authenticity

Rayvon Fouché.

in The Oxford Handbook of Sound Studies

December 2011; p ublished online November 2012 .

Article. Subjects: Music; Sound Studies; Ethnomusicology. 10054 words.

The history of the black diaspora is full with examples of the ways music has enabled various black cultural communities to cope with racial oppression. This article explains how...

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A Virtual Assembly

Robert M. Geraci.

in The Oxford Handbook of Virtuality

February 2014; p ublished online December 2013 .

Article. Subjects: Music; Music and Media; Applied Music. 6525 words.

Religion began appearing online in the 1990s, and it naturally segued into virtual worlds enabled by the Internet in the twenty-first century. Virtual communities now proliferate in virtual...

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Improvisation of the Masses

Ge Wang.

in The Oxford Handbook of Critical Improvisation Studies, Volume 2

September 2016; p ublished online February 2015 .

Article. Subjects: Music; Music and Media; Philosophy of Music. 3419 words.

The mass-scale adoption of modern mobile computing technology presents immense potential to reshape the way we engage one another socially, creatively, and musically. This article explores...

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Acoustemologies of the Closet

William Cheng.

in The Oxford Handbook of Virtuality

February 2014; p ublished online December 2013 .

Article. Subjects: Music; Music and Media; Applied Music. 5758 words.

Many online video games nowadays feature voice-chat capabilities that enable players to speak with one another through microphones connected to computers and gaming consoles. Players who...

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Avatar Psychology

James K. Scarborough and Jeremy N. Bailenson.

in The Oxford Handbook of Virtuality

February 2014; p ublished online December 2013 .

Article. Subjects: Music; Music and Media; Applied Music. 7180 words.

The explosive growth and dissemination of internetworking technology has changed what we may consider community, culture, and society. A major part of this movement toward the virtual is...

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Video games, music in

Karen Collins.

in Oxford Music Online

November 2013; p ublished online May 2016 .

Reference Entry. Subjects: Musical Structures, Styles, and Techniques; Film, Television, and Video Game Music; Musical Form; Contemporary Music. 2698 words.

Video game music is distinct from music in most other media forms in that when composed well (according to the standards of the game community), the music is dynamic; that is,...