Oxford Index Search Results

You are looking at 1-20 of 44 items for:

online x Film x clear all

Refine by type

Refine by product

 

online

Overview page. Subjects: Computing.

When a computer or a user is directly connected into a network and is capable of interacting with it, for example by querying the contents of a database.

See overview in Oxford Index

Independent Documentaries and Online Uses in China: From Cinephilia to Activism

Judith Pernin.

in Post-1990 Documentary

July 2015; p ublished online January 2018 .

Chapter. Subjects: Film. 5531 words.

This chapter focuses on online documentary practices. It attempts to puts in perspective the uses generated by the independent Chinese documentary movement from the dawn of Internet film...

Go to Edinburgh University Press »  abstract

Film Archives and Online Videos

Blake Atwood.

in Reform Cinema in Iran

November 2016; p ublished online September 2017 .

Chapter. Subjects: Film. 10871 words.

With the end of Khatami's eight-year presidency in mind, chapter 6 attends to the legacy of reform cinema by examining Massoud Bakhshi’s Tehran Has No More Pomegranates (2007), an...

Go to Columbia University Press »  abstract

So What Really Happened? Memento, Fans and Online Interpretive Strategies

Claire Molloy.

in Memento

February 2010; p ublished online September 2012 .

Chapter. Subjects: Film. 5521 words.

This chapter explores the public discourse on Memento. It also examines how this developed within Internet communities. It then returns to the issue of categorising Memento as an...

Go to Edinburgh University Press »  abstract

From catch-up TV to online TV: digital broadcasting and the case of BBC iPlayer

Paul Grainge and Catherine Johnson.

in Screen

March 2018; p ublished online March 2018 .

Journal Article. Subjects: Film; Television. 10440 words.

IMDb

Annette Kuhn and Guy Westwell.

in A Dictionary of Film Studies

January 2012; p ublished online December 2012 .

Reference Entry. Subjects: Film. 226 words.

An online database containing production details, cast lists, technical details, merchandising information, *box-office data, plot summaries, user ratings,

Introduction

Tessa Dwyer.

in Speaking in Subtitles

June 2017; p ublished online January 2018 .

Chapter. Subjects: Film. 5786 words.

Detailing the intimate relationship that cinema and related screen media enjoy with foreignness and language difference, this introductory chapter argues that language and translation have...

Go to Edinburgh University Press »  abstract

Resources

Sian Barber.

in Using film as a source

July 2015; p ublished online January 2016 .

Chapter. Subjects: Film. 7588 words.

This chapter highlights the types of sources which exist for film-related research and how they can be accessed. It includes detail on useful books, journals and online resources as well as...

Go to Manchester University Press »  abstract

Fabricators, fakers, fraudsters

Brian Mcnair.

in Journalists in Film

December 2009; p ublished online September 2012 .

Chapter. Subjects: Film. 6589 words.

This chapter covers journalistic fabricators, fakers and fraudsters. The issues of journalistic fabrication and invention, of fakes and hoaxes, were high on the news and public agendas. Sha...

Go to Edinburgh University Press »  abstract

New Media, Digitextuality, and Widescreen

Harper Cossar.

in Letterboxed

December 2010; p ublished online September 2011 .

Chapter. Subjects: Film. 10000 words.

This chapter examines online and video gaming texts that use widescreen-esque views in an effort to reproduce cinematic qualities and thus present their products in terms of highbrow...

Go to University Press of Kentucky »  abstract

Archetype and Authenticity: Reflections on Amalia Ulman’s Excellences & Perfections

Cadence Kinsey.

in Female Agency and Documentary Strategies

February 2018; p ublished online September 2018 .

Chapter. Subjects: Film. 6291 words.

In 2014, the performance artist Amalia Ulman created a three-part performance work entitled Excellences & Perfections, which explored how women present themselves online. In this chapter...

Go to Edinburgh University Press »  abstract

Bootlegging Experimental Film

Erika Balsom.

in After Uniqueness

March 2017; p ublished online January 2019 .

Chapter. Subjects: Film. 9167 words.

This chapter explores the ambivalence of the copy by examining the impact of low-quality, unauthorized digital bootlegs on the domain of experimental film, an area of practice that has...

Go to Columbia University Press »  abstract

Audiences and Critics: Dialogue and Disagreement

Chris Perriam and Darren Waldron.

in French and Spanish Queer Film

July 2016; p ublished online September 2017 .

Chapter. Subjects: Film. 10958 words.

The chapter compares audience responses with critical reception. It contrasts professional reviews of La Vie d’Adèle and L’Inconnu du lac in Spain with reactions of ‘amateur’ LGBTQ...

Go to Edinburgh University Press »  abstract

Introduction

Edited by Linda Badley, Claire Perkins and Michele Schreiber.

in Indie Reframed

November 2016; p ublished online May 2017 .

Chapter. Subjects: Film. 8206 words.

In April 2015 the tumblr account ‘Shit People Say to Women Directors’ debuted online and promptly went viral. Cataloguing anonymous stories of sexism and inequity encountered by female...

Go to Edinburgh University Press »  abstract

Korean Masculinities and Transcultural Consumption

Sun Jung.

November 2010; p ublished online September 2011 .

Book. Subjects: Film. 232 pages.

South Korean masculinities have enjoyed dramatic influence in pan-Asian popular culture, which travels freely due to its non-nationalistic appeal. This book investigates transcultural...

Go to Hong Kong University Press »  abstract

French and Spanish Queer Film

Chris Perriam and Darren Waldron.

July 2016; p ublished online September 2017 .

Book. Subjects: Film. 216 pages.

This book advances the current state of film audience research and of our knowledge of sexuality in transnational contexts, by analysing how French LGBTQ films are seen in Spain and Spanish...

Go to Edinburgh University Press »  abstract

British film production and the horror genre

Johnny Walker.

in Contemporary British Horror Cinema

December 2015; p ublished online May 2018 .

Chapter. Subjects: Film. 12046 words.

Chapter 2 contemplates why British horror was revived at the dawning of the new millennium, and also considers some of the reasons why British horror films produced in the 2000s and 2010s...

Go to Edinburgh University Press »  abstract

‘it's All Up To You!’: Sequelisation and User-Generated Content

Carolyn Jess-Cooke.

in Film Sequels

February 2009; p ublished online September 2012 .

Chapter. Subjects: Film. 7962 words.

This chapter states that merchandising, marketing and deferred narrative endings underline the key theoretical principles of sequelisation. It specifically explores the sequelisation as a...

Go to Edinburgh University Press »  abstract

Interviews with Hal Hartley

Mark L. Berrettini.

in Hal Hartley

January 2011; p ublished online April 2017 .

Chapter. Subjects: Film. 9670 words.

This chapter presents two interviews of Hal Hartley. The first, conducted by Justin Wyatt, was originally published in the fall 1998 issue of Film Quarterly. The second, conducted by Robert...

Go to University of Illinois Press »  abstract

Beyond the Screen: On Contemporary Feminist Media Re-articulations

Claudia Costa Pederson and Patricia R. Zimmermann.

in Indie Reframed

November 2016; p ublished online May 2017 .

Chapter. Subjects: Film. 5932 words.

In this chapter, Pederson and Zimmerman, programmers for the Finger Lakes Environmental Film Festival, a multi-disciplinary, multi-arts, cross-platform festival, examine women’s new...

Go to Edinburgh University Press »  abstract

Conclusion: Error Screens

Tessa Dwyer.

in Speaking in Subtitles

June 2017; p ublished online January 2018 .

Chapter. Subjects: Film. 1076 words.

In summary, this book proposes that improper sites of subtitling and dubbing provide a key to revaluing translation’s role within screen culture broadly. By analysing a range of emergent...

Go to Edinburgh University Press »  abstract