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online

Overview page. Subjects: Computing.

When a computer or a user is directly connected into a network and is capable of interacting with it, for example by querying the contents of a database.

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Music Radio Goes Online

Tim Wall.

in Music and the Broadcast Experience

October 2016; p ublished online September 2016 .

Chapter. Subjects: Popular Music. 5957 words.

This chapter explores the history of the development of music radio and its translation into online simulcasting, archive listen again services, and music services that dispense with live...

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Worship on the Web

Monique M. Ingalls.

in Music and the Broadcast Experience

October 2016; p ublished online September 2016 .

Chapter. Subjects: Popular Music. 5480 words.

YouTube has enabled music and religious practice to become conjoined in new and complex ways. This chapter explores the social life of a particular Christian video genre: the worship music...

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YouTube, Bad Bitches, and an M.I.C. (Mom-in-Chief)

Kyra D. Gaunt.

in The Hip Hop & Obama Reader

December 2015; p ublished online October 2015 .

Chapter. Subjects: Popular Music. 9258 words.

This chapter examines the impact of social media on girls and women in Michelle Obama’s America. While online spaces like YouTube have the potential to empower young girls and enable...

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Music and the Broadcast Experience

Edited by Christina Baade and James A. Deaville.

October 2016; p ublished online September 2016 .

Book. Subjects: Popular Music. 368 pages.

This book explores the complex ways in which music and broadcasting have developed together throughout the twentieth and into the twenty-first centuries. It brings into dialogue researchers...

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Desert island discomorphoses: Listening formations and the material cultures of music

Kyle Devine.

Edited by Julie Brown, Nicholas Cook and Stephen Cottrell.

in Defining the Discographic Self

November 2017; p ublished online May 2018 .

Chapter. Subjects: Popular Music. 7319 words.

Musical identities are forged in relation to the material properties of media formats. The cultures of listening and modes of identification fostered by the 78-rpm disc, for example, are...

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Introduction: Desert Island Discs in context

Julie Brown, Nicholas Cook and Stephen Cottrell.

Edited by Julie Brown, Nicholas Cook and Stephen Cottrell.

in Defining the Discographic Self

November 2017; p ublished online May 2018 .

Chapter. Subjects: Popular Music. 12935 words.

This chapter provides an overview of the long-standing and highly popular British radio programme Desert Island Discs (DID). It sets out the historical contexts in which the programme was...

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New Media, New Festival Worlds

Fabian Holt.

in Music and the Broadcast Experience

October 2016; p ublished online September 2016 .

Chapter. Subjects: Popular Music. 7210 words.

This chapter examines the transition of televisual mediations of music festivals in the social media landscape of the 2010s as a complex mediatization process with far-reaching implications...

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“There Are No Saviors”

Travis L. Gosa and Erik Nielson.

in The Hip Hop & Obama Reader

December 2015; p ublished online October 2015 .

Chapter. Subjects: Popular Music. 9325 words.

This interview with author and community activist Kevin Powell explores the disappointment felt by many in the hip hop community that Obama’s first term failed to deliver the hope and...

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The Grove Book of Opera Singers

Edited by Laura Macy.

January 2008; p ublished online January 2009 .

Book. Subjects: Opera. 1720 pages. 405701 words.

Covering over 1500 singers from the birth of opera to the present day, this marvellous volume will be an essential resource for all serious opera lovers and an indispensable companion to...

Defining the Discographic Self

Edited by Julie Brown, Nicholas Cook and Stephen Cottrell.

November 2017; p ublished online May 2018 .

Book. Subjects: Popular Music. 400 pages.

The radio programme Desert Island Discs has run almost continuously since 1942, and represents a unique record of the changing place of music in British society. In 2011, recognising its...

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MP3

Paul A. Aitken.

in Oxford Music Online

November 2013; p ublished online July 2012 .

Reference Entry. Subjects: Musical Structures, Styles, and Techniques. 147 words.

Digital filename extension for MPEG-1 Audio Layer III, digital audio compression standardized between 1991 and 1995 by the Motion Picture Experts Group. By 2010 MP3 was the de facto...

Music OCLC Users Group

Mark McKnight.

in Oxford Music Online

November 2013; p ublished online May 2010 .

Reference Entry. Subjects: Musical Form. 408 words.

[MOUG]

A nonprofit organization formed in 1977 to promote communication and address matters related to the cataloging of music materials among members of the music library...

Watching Jazz

Edited by Björn Heile, Peter Elsdon and Jenny Doctor.

July 2016; p ublished online August 2016 .

Book. Subjects: Popular Music; Musicology and Music History. 312 pages.

Watching Jazz: Encounters with Jazz Performance on Screen is the first systematic study of jazz on screen media. Where earlier studies have focused almost entirely on the role...

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Archives, sound recording and moving image

John Vallier.

in Oxford Music Online

November 2013; p ublished online October 2012 .

Reference Entry. Subjects: Music Education and Pedagogy; Musical Structures, Styles, and Techniques. 5193 words.

Repositories for the permanent retention, preservation, and access of sound recordings (e.g., CDs, LPs, audio cassettes, cylinders, digital audio files) and moving image media (e.g.,...

Going Underground

Kenneth B. McAlpine.

in Bits and Pieces

December 2018; p ublished online November 2018 .

Chapter. Subjects: Musicology and Music History; Popular Music. 7445 words.

This chapter charts the birth and growth of the demoscene, an online community of digital artists and musicians who create and share real-time procedural artworks. Part of the digital...

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Introduction

Kenneth B. McAlpine.

in Bits and Pieces

December 2018; p ublished online November 2018 .

Chapter. Subjects: Musicology and Music History; Popular Music. 4142 words.

This chapter outlines the methodological approach that underpins the book and sets out the broad structure of the storyline that the later chapters explore. It outlines a chronological...

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Netlabels and Real-World Festivals

Kenneth B. McAlpine.

in Bits and Pieces

December 2018; p ublished online November 2018 .

Chapter. Subjects: Musicology and Music History; Popular Music. 7846 words.

This chapter explores how the infrastructure of the established music industry—the routes to market and, just as significantly, the gatekeepers who control them—emerged spontaneously as...

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Bibliography of American music

D.W. Krummel.

in Oxford Music Online

November 2013; p ublished online May 2015 .

Reference Entry. Subjects: Music Education and Pedagogy; Musical Structures, Styles, and Techniques. 9425 words.

Music bibliography is the study and description of musical documents and of the literature about music. As a whole it entails two separate but interdependent areas of investigation....

Mash-up

Melissa Hok Cee Wong.

in Oxford Music Online

November 2013; p ublished online October 2013 .

Reference Entry. Subjects: Musical Structures, Styles, and Techniques; Musical Form. 426 words.

A 21st-century popular music genre in which musical works are created by overlaying, juxtaposing, and digitally manipulating samples of two or more preexisting recordings, most...

Uncle Tupelo

Nancy Riley.

in Oxford Music Online

November 2013; p ublished online January 2014 .

Reference Entry. Subjects: Music; Popular Music. 336 words.

American alternative country music group. A band from Belleville, Illinois, Uncle Tupelo came to symbolize an indie music movement that merged punk, rock, and country at a time when...