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Śuddha Bilāval Rāga

Overview page. Subjects: Indian Music.

(Hin)

Śuddha Bilāval is close to Alhaiyā Bilāval. Two versions are available. Manik-bua Thakurdas gives his version with the following features:

In addition to the...

See overview in Oxford Index

Śuddha Bilāval Rāga

Overview page. Subjects: Indian Music.

(Hin)

Śuddha Bilāval is close to Alhaiyā Bilāval. Two versions are available. Manik-bua Thakurdas gives his version with the following features:

In addition to the...

See overview in Oxford Index

Śuddha Bilāval Rāga (Hin)

Saṅgīt Mahābhāratī.

in The Oxford Encyclopaedia of the Music of India

January 2011; p ublished online January 2011 .

Reference Entry. Subjects: Indian Music. 78 words.

Śuddha Bilāval is close to Alhaiyā Bilāval. Two versions are available. Manik-bua Thakurdas gives his version with the following features:

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Kumud Rāga (Hin)

Saṅgīt Mahābhāratī.

in The Oxford Encyclopaedia of the Music of India

January 2011; p ublished online January 2011 .

Reference Entry. Subjects: Indian Music. 69 words.

Assigned to the Bilāval Thāṭ, this rāga has shadows of Alhaiyā Bilāval in the āroha, and of Śuddha Kalyāṇ in

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Alhaiyā Bahār Rāga (Hin)

Saṅgīt Mahābhāratī.

in The Oxford Encyclopaedia of the Music of India

January 2011; p ublished online January 2011 .

Reference Entry. Subjects: Indian Music. 64 words.

A miśra rāga, of recent origin, consisting of popular rāgas Alhaiyā Bilāval and Bahār. Svaras used are: śuddha and komal

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Madhagiri Rāga (Hin)

Saṅgīt Mahābhāratī.

in The Oxford Encyclopaedia of the Music of India

January 2011; p ublished online January 2011 .

Reference Entry. Subjects: Indian Music. 73 words.

A miśra rāga, having shadows of three rāgas, Hinḍōli, Bilāval, and Bihāg. All svaras are śuddha except Ma which is

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Jaij Bilāval Rāga (Hin)

Saṅgīt Mahābhāratī.

in The Oxford Encyclopaedia of the Music of India

January 2011; p ublished online January 2011 .

Reference Entry. Subjects: Indian Music. 163 words.

A miśra rāga consisting of Bilāval and Jaijaiwanti. Svaras used are Re, Ga, Ma, and Dha, all śuddha. Ni is

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Veni Kedār Rāga (Hin)

Saṅgīt Mahābhāratī.

in The Oxford Encyclopaedia of the Music of India

January 2011; p ublished online January 2011 .

Reference Entry. Subjects: Indian Music. 31 words.

This rāga, under the Bilāval Thāṭ, employs both forms of Ni. Other svaras are śuddha. Subba Rao, who assigns

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Guṇakali Rāga (Hin)

Saṅgīt Mahābhāratī.

in The Oxford Encyclopaedia of the Music of India

January 2011; p ublished online January 2011 .

Reference Entry. Subjects: Indian Music. 159 words.

This rāga has a strong Bilāval-ang, and uses only śuddha svaras.

There are two other rāgas which are mistakenly called

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Jaij Bilāval Rāga

Overview page. Subjects: Indian Music.

(Hin)

A miśra rāga consisting of Bilāval and Jaijaiwanti. Svaras used are Re, Ga, Ma, and Dha, all śuddha. Ni is both śuddha and komal. Bilāval dominates the poorvāng while ...

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Kumud Rāga

Overview page. Subjects: Indian Music.

(Hin)

Assigned to the Bilāval Thāṭ, this rāga has shadows of Alhaiyā Bilāval in the āroha, and of Śuddha Kalyāṇ in the avaroha, according to Subba Rao. Only śuddha svaras ...

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Alhaiyā Bahār Rāga

Overview page. Subjects: Indian Music.

(Hin)

A miśra rāga, of recent origin, consisting of popular rāgas Alhaiyā Bilāval and Bahār. Svaras used are: śuddha and komal forms of both Ga and Ni, and śuddha forms ...

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Madhagiri Rāga

Overview page. Subjects: Indian Music.

(Hin)

A miśra rāga, having shadows of three rāgas, Hinḍōli, Bilāval, and Bihāg. All svaras are śuddha except Ma which is both teevra and śuddha. Pa is totally omitted. Re ...

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Śobhāvari Rāga

Overview page. Subjects: Indian Music.

(Hin)

Also called Śuddha Guṇakali by Vinayakrao Patwardhan, though Guṇakali belongs to the Bilāval Thāṭ employing only śuddha svaras while Śobhāvari has komal svaras. Another rāga,...

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Guṇakali Rāga

Overview page. Subjects: Indian Music.

(Hin)

This rāga has a strong Bilāval-ang, and uses only śuddha svaras.

There are two other rāgas which are mistakenly called Guṇakali. Both of them belong to the Bhairav...

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Veni Kedār Rāga

Overview page. Subjects: Indian Music.

(Hin)

This rāga, under the Bilāval Thāṭ, employs both forms of Ni. Other svaras are śuddha. Subba Rao, who assigns it to pre-midnight hours, gives the following features:

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Ahirī Bhairav Bilāval Rāga

Overview page. Subjects: Indian Music.

(Hin)

This is a combination of rāgas Ahirī, Gunakali, and Bilāval, according to B.K. Roy Choudhury. It employs both forms of Re and Ni. Śuddha forms are employed in the ...

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Hamsa Bilāval Rāga

Overview page. Subjects: Indian Music.

(Hin)

A combination with shades of three rāgas, Bilāval, Bhoop Kalyāṇ, and Śankarābharaṇ (in its Hindustani form), says B.K. Roy Choudhury. All its svaras are śuddha. Ma is weak as...

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Mālati Rāga

Overview page. Subjects: Indian Music.

(Hin)

Assigned to the Tōḍi Thāṭ and to pre-dawn hours by B.K. Roy Choudhury, this rāga has shades of rāgas Tōḍi, Multāni, and Bilāval. It employs Komal Dha in the āroha and Śuddha...

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