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Gioseffo Zarlino

Overview page. Subjects: Music.

(1517–90).

Composer and important music theorist. He worked first in his native Chioggia and from 1541 in Venice. His major treatise, Le istituzioni armoniche (1558), re-examines...

See overview in Oxford Index

Gioseffo Zarlino

Overview page. Subjects: Music.

(1517–90).

Composer and important music theorist. He worked first in his native Chioggia and from 1541 in Venice. His major treatise, Le istituzioni armoniche (1558), re-examines...

See overview in Oxford Index

Zarlino, Gioseffo

Claude V. Palisca.

in Oxford Music Online

January 2001; p ublished online January 2001 .

Reference Entry. Subjects: High Renaissance Music (1500-1600). 3045 words.

[Gioseffe]

(b Chioggia, probably Jan 31, 1517; d Venice, Feb 4, 1590). Italian theorist and composer. He was a leading theorist of counterpoint in the 16th century. In his...

Zarlino, Gioseffo (1517–90)

Francesca Chiarelli.

in The Oxford Companion to Italian Literature

January 2002; p ublished online January 2005 .

Reference Entry. Subjects: Literary Studies (European). 58 words.

(1517–90).

Composer and important music theorist. He worked first in his native Chioggia and from 1541 in

Zarlino, Gioseffo (?31 Jan 1517)

in The Grove Dictionary of Musical Instruments

January 2014; p ublished online January 2015 .

Reference Entry. Subjects: Music. 910 words.

(b Chioggia, Italy, ?31 Jan 1517; d Venice, Italy, 4 Feb 1590). Italian theorist and

Zarlino, Gioseffo (31 Jan. 1517)

in The Oxford Companion to Music

P ublished online January 2011 .

Reference Entry. Subjects: Music. 168 words.

He was educated among the Franciscans and eventually joined their order. After completing his novitiate he moved to Venice in ...

Artusi, Giovanni Maria

Claude V. Palisca.

in Oxford Music Online

January 2001; p ublished online January 2001 .

Reference Entry. Subjects: High Renaissance Music (1500-1600). 2088 words.

(b c1540; d Bologna, Aug 18, 1613). Italian theorist, polemicist and composer. He was one of the leading Italian theorists in the years around 1600, specially notable for...

I modi

Susan McClary.

in Modal Subjectivities

December 2004; p ublished online May 2012 .

Chapter. Subjects: Musicology and Music History. 9897 words.

Mode first developed as a pragmatic means of sorting into categories the liturgical music that had long circulated through the oral tradition. At the same time that scholastic music...

Go to University of California Press »  abstract

Towards modal coherence: mode and chromaticism in Carlo Gesualdo’s two settings of O vos omnes

Zhuqing (Lester) Hu.

in Early Music

February 2015; p ublished online January 2015 .

Journal Article. 7168 words.

During his last decade Carlo Gesualdo published two similar settings of O vos omnes: a motet in the Sacrae Cantiones a5 (1603) and a more elaborate responsory in the Tenebrae Responsoria (1...

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A rule made to be broken: on Zarlino, Vicentino, Willaert and parallel congruent imperfect consonances

Timothy R. McKinney.

in Early Music

P ublished online April 2014 .

Journal Article. 8563 words.

The voice-leading rule of music theory that forbids consecutive perfect consonances of the same size between a pair of voices became firmly entrenched in the 14th century when counterpoint...

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Introduction: The Cultural Work of the Madrigal

Susan McClary.

in Modal Subjectivities

December 2004; p ublished online May 2012 .

Chapter. Subjects: Musicology and Music History. 14409 words.

Beginning with Johannes Tinctoris, who states quite off-handedly and without much further explanation that mode also applies to polyphony, a series of intellectuals—including most...

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The Prisonhouse of Mode: Cipriano de Rore

Susan McClary.

in Modal Subjectivities

December 2004; p ublished online May 2012 .

Chapter. Subjects: Musicology and Music History. 9068 words.

Cipriano de Rore proved a restless tenant of Adrian Willaert's and Gioseffo Zarlino's neomodality. We know very little of his life, save for his early years in the Netherlands, his move to...

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Moving the Immovable

Peter Pesic.

in Music and the Making of Modern Science

July 2014; p ublished online May 2017 .

Chapter. Subjects: Musicology and Music History. 6022 words.

In the fifteenth and sixteenth centuries, the debates on the new cosmology involved musical issues at several points. The disputed order of the planets paralleled questions about their...

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Gogava, Antonius Hermannus

Claude V. Palisca.

in Oxford Music Online

January 2001; p ublished online January 2001 .

Reference Entry. Subjects: High Renaissance Music (1500-1600). 459 words.

(b Grave, Brabant, 1529; d Madrid, 1569). Physician and translator of Greek treatises. After studying classical languages and mathematics in Leiden, he went to the University of Padua,...

Merulo [Merlotti, Merulus], Claudio

Rebecca Edwards.

in Oxford Music Online

January 2001; p ublished online January 2001 .

Reference Entry. Subjects: High Renaissance Music (1500-1600). 5586 words.

[Claudio da Correggio]

(b Correggio, April 8, 1533; d Parma, May 4, 1604). Italian composer and publisher. He was the most gifted of a group of performer-composers who...