Journal Article

Zones of Impingement: Two Movements from Bartók's Music for Strings, Percussion, and Celesta

Jonathan W. Bernard

in Music Theory Spectrum

Published on behalf of Society for Music Theory

Volume 25, issue 1, pages 3-34
Published in print January 2003 | ISSN: 0195-6167
Published online January 2003 | e-ISSN: 1533-8339 | DOI: https://dx.doi.org/10.1525/mts.2003.25.1.3
Zones of Impingement: Two Movements from Bartók's Music for Strings, Percussion, and Celesta

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The first and third movements of Béla Bartóks Music for Strings, Percussion, and Celesta (1936) are subjected to a pitch-based (here strictly distinguished from pc-based) analysis, with the idea of defining ways, here called zones of impingement, in which pc-based observations may be incorporated into such an analysis without invoking the generalizing power that pitch class is usually thought to have over pitch.

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