Chapter

Rhythm

Arna Bontemps

in The Negro in Illinois

Published by University of Illinois Press

Published in print July 2013 | ISBN: 9780252037696
Published online April 2017 | e-ISBN: 9780252094958 | DOI: https://dx.doi.org/10.5406/illinois/9780252037696.003.0029
Rhythm

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This chapter discusses the history of ragtime, blues, boogie woogie, jazz, and gospel music in Illinois. Itinerant Negro musicians considered Chicago a good town on the circuit. The district which welcomed them first was located on State Street between the edge of the Loop and 35th Street. The two biggest places in the district were Pony Moore's and the Everleigh Club. In 1911, Emanuel Perez's Creole Band came to town. This chapter considers three occurrences that highlight the story of jazz in Chicago: King Oliver's arrival, Louis Armstrong's origination of “Scat” singing, and the recording of Clarence “Pine Top” Smith's Boogie Woogie piano, in March 1928. It also looks at other Negro musicians who performed in Chicago and other parts of Illinois during the period, including Cab Calloway, Sidney Bechet, Jimmy Noone, Erskine Tate, Charley Cook, Clarence Jones, Sammy Stewart, Willie Bryant, Earl “Fatha” Hines, Lionel Hampton, Jack Ellis, and Johnny Dodds.

Keywords: ragtime; blues; boogie woogie; jazz; gospel music; Negro musicians; Chicago; King Oliver; Louis Armstrong; Negro music

Chapter.  2469 words. 

Subjects: History of the Americas

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