Book

God's only daughter

Kathryn Walls

Published by Manchester University Press

Published in print November 2013 | ISBN: 9780719090370
Published online May 2014 | e-ISBN: 9781781706510 | DOI: https://dx.doi.org/10.7228/manchester/9780719090370.001.0001
God's only daughter

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This is the first book-length study devoted to Una, the beleaguered but ultimately triumphant heroine of Book One of The Faerie Queene. Challenging the standard identification of Spenser’s Una with the post-Reformation Church in England, it argues that she stands, rather, for the community of the redeemed, the invisible Church, whose membership is known by God alone. Una’s story (its Tudor resonances notwithstanding) thus embraces that of the Synagogue before the Incarnation as well as that of the Church in the time of Christ and thereafter. Una’s trajectory also allegorizes the redemptive process that populates the City. Initially fallible, she undergoes a transformation that is explained by the appearance of the kingly lion as Christ in canto iii. Indeed, she becomes Christ-like herself. The tragically alienated figure of Abessa in canto iii represents, it is argued, Synagoga. The disarmingly feckless satyrs in canto vi are the Gentiles of the Apostolic era, and the unreliable yet indispensable dwarf is the embodiment of the adiaphora that define national (i. e., visible), Churches. The import of Spenser’s problematic marriage metaphor is clarified in the light of the Bible and medieval allegories. These individual interpretations contribute to a coherent account of what is shown to be, on Spenser’s part, a consistent treatment of his heroine.

Keywords: Edmund Spenser; Faerie Queene Book One; Una; Invisible Church; Redemption; Adiaphora; Synagoga; Gentiles

Book.  288 pages.  Illustrated.

Subjects: Literary Theory and Cultural Studies

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Table of Contents

Introduction in God's only daughter

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The fallibility of Una in God's only daughter

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Una redeemed in God's only daughter

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Una as the City of God in God's only daughter

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The City of God in history in God's only daughter

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Una’s adiaphoric dwarf in God's only daughter

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Una’s Trinitarian dimension in God's only daughter

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The multiplication of Una in God's only daughter

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Conclusion in God's only daughter

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